Dr. Strangely Strange - Anti-Inflammatory
Dr. Strangely Strange was initially formed in Dublin in 1967 by Tim Booth and Ivan Pawle. In 1968, after playing some shows as a duo, they added three more members, including Tim Gouldin. Over the ensuing years, various members came and went with Booth, Pawle and Goulding remaining the constant until they disbanded in 1971 having released two albums. The three reunited a year later for an Irish tour and then Booth led the band with all new members in 1973. Since the early 1980's they have gotten back together from time to time, along with fiddle / mandolin player Joe Thoma, and they also released another album in 1997. Now, fifty-eight years after their formation and forty-six years since their last release, the four of them are back with album number four. They kick things off with “Up With The Lark”, a quaint tune that starts simply with piano and vocal and then incorporates fiddle and whistle giving it a medieval folk feel. With its driving Bo Diddley beat, the first single “Baby Bunting” is a strangely infectious psychedelic folk tune with massive pop hooks. Enhanced with some nice electric piano, “Like Water Like Wind” is a really pretty ballad that brings us to “Sulán,” the first of three instrumentals. Per the liner notes, “The Sulán is a rhythmical river that meanders through the Cork and Kerry mountains passing near the village of Cúil Aodha”, and meandering is the perfect description for this laid-back instrumental with its dreamy Celtic flair. The loping, psychedelic country two-step of “Rosenalli’s Two-Step” has a super catchy beat and just the right amount of quirkiness, making it the perfect song for a “psychedelic hoedown”. “Drive ‘em Down” is a bright, bouncy tune with a rootsy country element. It has some great acoustic guitar work and is enhanced nicely with keyboards. “Murmuration” is an acoustic folk cut with a bit of a darker side, followed by “Morning Song,” a pretty acoustic piano instrumental accompanied by viola and fiddle. With bittersweet lyrics looking back at their younger days and time passing by, “Back In The Day” is a lively folk tune. The final instrumental “Vienna” also closes the album, and was written by Goulding for the birth of his second grandchild. It’s a solo piano performance with hints of jazz, and a very bouncy, celebratory feel, making it a really nice way to end the disc. Anti-Inflammatory is a welcome return and an absolute joy to listen to.